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So happy to hear that it worked for you!! Thank you!

Wow, what a nice comment! Thank you so much! That means a great deal!

Very happy that it worked well for you! Thank you for the kind comment!

I'm really happy that it helped - thank you for the love Stick man!

Happy that it helped! Thank you for the comment. I do not use any additonal lut to alter the color / toning anymore. I've been exporting with my normal settings and it's coming out fine

Thank you so much for the kind comment. That was very nice of you. As for the mouse cursor... I have not heard of that but it sounds like you might be having a driver / firmware issue or conflict. Try updating your drivers and any firmware for mouse or peripherals.

Either way, let me know if you get it resolved. You could help someone else who might have this issue in the future.

You are most welcome. Thank you for the watch and comment!

That is awesome to hear! Thank you so much for the watch in the comment, and for letting me know that it worked well. It means a lot!

That's awesome! Thank you so much for the comment! I hope this helps in the editing!~!

Outstanding points! This was well thought out and argued. Thank you so much for adding to the conversation with your thoughts and ideas. This was really great to read through!!!

Thank you for the comment, be sure to watch the new video that I linked to in the description as this video is a little older and out of date

I'm so happy that it worked with you! Thank you for letting me know, and thank you for the watch and comment!

That's awesome! I'm really happy it got to work for you! Thank you for the comment!

Thank you!

I use a Deity S-Mic 2 boom + Mix Pre 3 audio recorder for almost all of my shoots. I use Lav mics for shoots I can't have total control over the audio, run and gun shoots, and 90% as back up to the Deity S-Mic 2. However, something to point out - just because I use them as back up, doesn't mean they never get used for the final edit. Perfect example - just shot commercial where maybe 50% of the audio had to come from the lav mic instead of the boom due to background sound. In general - the lav mics, in my opinion, don't sound as warm or professional in most cases as the boom (when you have control), but as long as you record clean and can mix in post, cleaning up the sound levels, it will be mostly unnoticeable by your audience.

If you're running the power from the connection to the camera, then you need to make sure every connection is acting both as a data + power passthrough - If I use the receiver or transmitter for a very long time, I don't use the USB port for anything but power - zero data transfer.

@@NightOwlsMedia thanks for the response. Can you break that down into more simple terms for this noob. So are you saying don’t connect the mic to the camera? I need external power for both. I’m also using the GoPro Mike adapter in this set up

@@TiggsTailsFishingToo Hey! No worries! We all started somewhere - So in general, I almost never connect the receiver to the camera. 1) you can't get 32bit float from the receiver to a camera source, so really the audio feed to the camera is just a scratch track / temp track (this is the audio you typically delete in editing but just use it as a guide when syncing or listening for cues), and 2) these only have one usb-C port making them really only usable for power when shooting long shoots (like I am assuming you might be for fishing trips, etc). For example, I took these on a trip with me when I went to Austria and hiked up a mountain interviewing someone about their life. On her i had two recorders: the Rode WG2 (in this video) and a back up DR10L w/ lav mic. On the camera, I used a shotgun mic (Deity) to record the wild sound (wild sound is basically like it sounds, you get what you get, if someone is close enough to the mic, it will sound OK, but more than a couple feet a way, it's good for ambiance and nature sounds, but really not speaking - I wanted it for the nature background as we walked as the lav mics won't pick up the steps or good wind through the trees). In post, I synced up the audio from the camera (shotgun) to the 2 lav sources easily and then layered in the lav mic audio that sounded the cleanest - in this case, the Rode (because of the 32bit float). The Rode, I had connected to a small pocket sized battery brick through the USB C in order for it to keep recording as long as we were out. The DR10L has a battery life of like 12 hours, so I didn't worry so much about those (however, that unit version doesnt have 32bit float, so I was considering it as a back up). As long as you set up the settings to your liking before you hit record (always on), then you can just run your camera and know that the audio is being recorded - The only caveat I had was I wish I could monitor the recorder through bluetooth or something on my phone to ensure it sounded OK, but that's why we have backups.

Thank you so much for the comment in the watch. That means a great deal.

Cherry is my favorite lifesaver! Thank you for the kind words!! Happy editing!

So the good news is, typically you want a low audio feed. Because you can boost it up and clean it up. If it comes in too hot it can be distorted and never be cleaned. However I believe you can, with using the receiver hooked up to the phone, choose your audio gain as fine, set it to medium, because again you don't want to come in hot.

Also, sorry I forgot to mention, 😊 your comment was very nice, thank you so much for taking the time

@@NightOwlsMedia I boost it in post, but it’s really pushing the signal and you can only go so far before it begins to distort. It’s so much lower than my other sources and it slows down workflow. As far as I can tell, the gain controls have no effect on USB-C audio out. I’ll probably just start recording a backup track to the transmitter and again, add another step to post…

@@revmatchtv okay, that's a really good piece of advice about the USBC output. I typically never use the receiver anymore, I just use the transmitters and record internally for the 32-bit float. Especially since if you are taking audio from the receiver to a camera source, or phone source, you aren't getting 32-bit float anyway. I just like using the transmitters as mini recorders. I would however suggest, if you're doing something corporate, or client work, these are good as a backup, but I wouldn't use them as a main source. There's not enough control for me.

@@NightOwlsMedia TBH, there's no point in using a tranmitter/receiver system if you're only going to record to a device. Again, it's an extra step to convert and get the files off the transmitter since it has this stupid proprietary format. I can just use an external recorder with a nice mic and keep it simple. My whole goal is reducing steps to speed up workflow. I create content full time on several channels.

Wow!!! I appreciate the love! That means a great deal to me! Thank you!

Ah, I'm very happy it worked well for you! Happy editing!! Thank you for the awesome comment and watch! #BeBetter

Haha - I appreciate the note of "Not you" - I understand the frustration all too well. I've been trying to equate these issues I get in Premiere / Adobe with filmmaking in general. When I was first starting out, I always ran into some issue while making a video (locations, actors, my shot wasn't right, the take didn't record, the NLE would crash, etc). When I was in school, the teacher I had and I called my mentor (BJ Sears) told me "as editors, our main job is to create the story - however, our second job is to fix the fuck up. Because no matter what show you're on, there will always be problems. No film has ever been created with our problems." And if the editor who worked on Jacob's Ladder and Amadeus could say that, I knew the problem wasn't me. So every time PremPro fucks up... yes I get furious for a second, but then I think - hey, this is my job to fix the fuck up. While it doesn't fix the issue, it does kinda give me a zen moment so I can go back to focusing on the work.

@@NightOwlsMedia I appreciate youre answer but I just get mad because PP has been working for years and now this. I think its Adobes job to fix this and not mine. I could accept the responsibility if it was free software, but this is expensive A-F!? Am seriously considering switching to Capcut free or something.

Thank you so much for the kind comment! Hope it helped!

Haha. Nice catch. The irony is deep. I'll make sure to add some

Did you go to the link for the new video?

@@NightOwlsMedia no, I have to check it

Thank you for the kind comment and the watch - in case you haven't seen it yet, I did end up finding a Mag VND that I loved - ruclips.net/video/JofIFJhmNhg/видео.html

Or possibly suggest restarting your computer, that's always the first thing you should do. If that's not working, try uninstalling the software and reinstalling it fresh, sometimes it's all about the PEBCAK.

I tried restarting and uninstalling the vlc then installing again following the same settings but nothing worked. Still same issue

Happy that it worked!!! Thanks

Do itashimashite! So happy that it helped out! Thank you for the watch and the comment to that made my day!

Thank you for the watch and the comment. If you're looking to just convert a file for someone to watch easily, You can create a proxy of the video extremely fast and easy and they will be able to watch it on their end without any issue whatsoever. It won't be the highest quality because high quality depends on Better computer gear. But they will be able to watch it flawlessly

Also, I always recommend everyone to always have VLC player. Quick time and windows media player in my opinion are garbage

@@NightOwlsMedia sorry what do you mean by proxy?

@@aabeltom4235 proxies are smaller, easier to watch and edit with versions of the video. Here is a tutorial I did for a class so it's not edited glossy, but straight to the point - ruclips.net/video/92TLViBToT0/видео.html

Hey! Thank you for the watch and the comment - Yes, that's super nice of you to ask this. In the description I have links to my Kit site where I list many of the items I use. I do need to update it, but if you have any questions, let me know! I'm happy to help!

I feel you. I really do. Hope this helped a little.

Same, better but still not even close

Same, it was pretty bad now much better but still not close.

I would make sure your screen is calibrated and then after exporting be sure to watch it on several different screens (a couple TV's, a phone, etc). I have the spider color calibrator and 3 screens and still it's off for me too. So I am just trying to help out a little with what I am finding out

I like that term, failing forward. Thank you for the watch and the comment, and the positivity!

Thank you friend!

I really appreciate your watch in the comment. Thank you. So if you have the more up-to-date firmware, my advice is to set your receiver to camera specific and match it with your camera, and then inside the camera audio gain, you said it to level 1. If you don't have the option of the camera specific type, setting your internal gain for your receiver at -12 and then set your audio in camera low. All right you can always boost the audio in post, you can always clean the audio in post. However if you're relying on the audio in the camera and not from the 32-bit recording on the transmitters, your camera were more than likely not be able to record 32-bit float. So if the audio clips, you can't bring it back. It's always best to have it lower than you think you need it and raise it and clean the audio hiss.

@@NightOwlsMedia Thank you for your reply! I'll will look into it! Very helpful!

Thank you for the watch and comment. If you're interested in a magnetic variable and defilter, I did find one that I really like and did a video on it.

Unfortunately I don't know resolve very well. I only use it to color grade and that's after I export out to ProRes 4444 16-bit. I do know that DaVinci Resolve has a paid version that allows you to work with 4K stuff, and I know that the free version does not. Is this part of the issue? Otherwise, does DaVinci allow you to create proxy files? You can create proxies and edit with the proxies and then when you go to export you use the original files

@lennartfelix So I'm not positive, but this sounds like you might have a error in firmware. I've had this happen before. Right before the big firmware update about a year ago, they were going through these small patches and no matter what I did I could not get the app to recognize my transmitters. And it was because I didn't update correctly in there time frame and had my receiver updated instead but not the transmitters. So they told me that was the issue. I contacted the company told them the issue, they help me work through it.

Ah! I'm so happy that it made the family dynamic calmer 😂 but I do understand how it can feel like you wanna throw the computer out the window some days. Congrats on the new camera, it's our favorite to shoot with! Love from Chicago #BeBetter

@@NightOwlsMedia ❤️

I can speak very highly for the VLC Player program (I've been using it since the early 2000s and recommend it to all our of clients). The Icaros I've been using without issue now for almost 3 years.

It's definitely surprised me the first time I received the message. Hope you're keeping safe

@@NightOwlsMedia The New York Times Robert Cambell scam!! I almost fell for it. As soon as I got a message saying I got the job...LOL I knew it was a total scam!! This people deserve the worst in life. Seriously nothing better to do??

This isn't about the LUT, this about setting up the settings so the work flow is correct with your footage and then being able to see everything correct on the computer. Filming in another color space space, be sure to edit and export in the same color space. When you export without the LUT, does it look the same as the program window?

Thank you! Good luck editing

Thank you so much for the watch in the comment, make sure you follow the link to the updated version to actually fix this instead of just put a Band-Aid on it

@@NightOwlsMedia I did! Very helpful! Thanks a lot man

@@pedrorivera1892 perfect, thank you for letting me know. I just really hope this is going to help some people, I was so frustrated for so long dealing with this